翻訳と辞書
Words near each other
・ Stalag IV-A
・ Stalag IV-B
・ Stalag IV-C
・ Stalag IV-D
・ Stalag IV-E
・ Stalag IV-F
・ Stalag IV-G
・ Stalag IX-B
・ Stalag IX-C
・ Stalag Luft 7
・ Stalag Luft I
・ Stalag Luft III
・ Stalag Luft III murders
・ Stalag Luft IV
・ Stalag Luft VI
Stalag riddim
・ Stalag V-A
・ Stalag VI-B
・ Stalag VI-C
・ Stalag VI-K
・ Stalag VII-A
・ Stalag VIII-A
・ Stalag VIII-B
・ Stalag VIII-C
・ Stalag VIII-D
・ Stalag VIII-E
・ Stalag VIII-F
・ Stalag X-B
・ Stalag XI-A
・ Stalag XI-B


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Stalag riddim : ウィキペディア英語版
Stalag riddim

The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1970s. It was originally written and performed as "Stalag 17" (named after the 1953 war film) by Ansell Collins, and released by Winston Riley's Techniques record label in 1973.〔(Stalag 17 )〕
It was mainly used for dub instrumental versions, often b-sides of records. The rhythm also influenced early hip-hop, and can be discerned on Public Enemy's hit 'Don't Believe the Hype' as well as on Too Short's Blowjob Betty. In 1980, reggae superstar Bob Marley's band The Wailers used the riddim as an introductory theme to the Uprising Tour concerts, with keyboardist Tyrone Downie chanting "Marley!" over the riddim while Marley comes to the stage (therefore the intro is commonly called "Marley Chant" among fans).
In the 1980s, it successfully made the transition into dancehall, e.g. with Tenor Saw's 1985 hit "Ring The Alarm".
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Stalag riddim」の詳細全文を読む



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